Compiled from the Performing Arts programmes* and Visual Arts exhibition records from HKADC’s Arts Yearbooks and Annual Arts Survey projects dating from 2010.

Movements as Strategies: On & On Theatre Workshop’s Contemporary Writing for Theatre and Theatre Horizon’s New Directors’ Movement

Author : Chan Kwok-wai Bernice
Art Form : Theatre
Year : 2018, 2017

At the end of 2018, Theatre Horizon broadcasted the awards ceremony of the New Directors’ Movement on Facebook live. Chan Chu-hei, the mastermind behind the New Directors’ Movement and the MC of the event, took the opportunity to explain that the programme could be better understood as a “movement”, not as a mere “project”.1 Delivered in a casual tone, Chan’s remark was nevertheless a reaffirmation of a manifesto. A movement, as we know it, is devoted to a cause—it unites people who share the same vision and advocate for it, or who seek to create change in the world. Indeed, it is more imaginative and inspiring to call it a movement rather than a project.

Hashtag : Theatre Horizon; On & On Theatre Workshop; Hong Kong Arts Development Council; Prospects Theatre; Hong Kong Repertory Theatre; Chung Ying Theatre; "A Concise History of Future"; "All is Goodness"; "Stones, Broken Branches, and the Black Dog"; "Claustrophobia"; "Dandelions Taking Heroin"; "Goldfish of Berlin"; "Ink Maze"; "Tête-bêche"; "The Insect Classroom"; Birdy Wong Ching-yan; Cally Yu; Chan Chu-hei; Chan Ping-chiu; Fong Ki-tuen; Janice Poon; Lam Lap-sam; Li Chi-tat; Li Wing-lui; Miu Law; Poon Wai-sum; Tang Ching-kin; Vee Leong; Wu King-yeung; Yan Pat-to

The views and opinions expressed in this article do not represent the stand of the Council.

Hong Kong Theatre on the International Stage

Author : Alex Tam Hung Man, Tang Shu-wing, Marble Leung, Brenda Lam
Year : 2018, 2017
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